cultivate provincialism is called the cult of celebrity and stigmatize poor people as those who make culture on site. Governments should encourage and support those who make culture localist
( Elia Marcelli In the picture at the time of the invasion of Russia)
Even those who make culture, individually or as part of associations, is not an alien on Mars, and, therefore, is often led to opportunistic choices dictated by a survival instinct. Besides, in this jungle that has become inhuman Italian society, the law reigns the strongest, the smartest, the most dishonest.
That the cultural left that office no longer has that charisma and perfect on the masses who had between 1947 and 1984, between the birth of the state Republican and the death of Enrico Berlinguer, the last symbol of a popular and palingenesis Communist is a fact now well known.
The reasons for this decline, it seems obvious, are not the subject of my intervention. The fact is that the cultural left has not succeeded to a culture of right. If the three decades after World War II the Einaudi publishing houses, and then Feltrinelli Editori Riuniti, have established themselves as the publishers of reference of intelligence in the left, this lighthouse is now also off, and the major publishers have not shifted to the right, but they just lost a political imprint.
I believe that as the political left today has no idea "modern" culture (in fact, survives in the memory of the values \u200b\u200bof resistance, now similar to those of the Renaissance), so neither has the right of the basic values \u200b\u200bof culture, having denied, for opportunism, those of fascism. Caffeine's case is emblematic of a national situation: The organization plans a schedule of events with different personalities of a sinister new and emerging released to the parties and to the right there are personalities such as to fill the squares, since the faces Sgarbi, Belpietro of Bondi or thrown back to their own supporters. And so, not to the democratic spirit, because of popular support, they steal the galaxy of names of left-value products such as Saviano and Garfunkel, with the sly hope of attracting the right to administrative investigators left.
The faculty of understanding are not right or left, but beyond the contingency of right and left. I believe that the parties - if they still have meaning and values \u200b\u200b- should make sure to use culture to infect humanity of individuals, people, mass or people as we call it. The populist culture, instrumental and functional parties, is called propaganda.
culture in towns and cities of the province, should minimally squander economic resources to put on the stage known names of national culture and entertainment, as this, and perhaps more generous compensation, we think the tivvù status and pilasters. It's called provincialism cultivate the cult of celebrity and stigmatize poor people as those who make culture on site. The government should encourage and support those that are locally oriented culture, studying the history and traditions of our country, the talents that manifest themselves in various arts, theater and music. Are paradoxical to the theater and music festivals that are in Fabrica di Roma, who are not poor, but which are passive, or that encourage the practice of "audience", especially a stranger, who comes, sits, claps and goes. The next day, a week later, months later, a year later, decades later, the cultural situation is dead on the spot as always: no money to create a local theater company, no money for studies of local history , nothing at all to support native artists. A Fabrica is born, both parents fabrichesi, some Elia Marcelli (1915-1998) filmmaker and writer, who knew no one in the province, until last summer, the most famous singer Simon Webbe, has played several stanzas of his eighth poem in rhyme "The Romans in Russia, precisely in the meetings of" Caffeine. " The administration of Fabrica di Roma was then run for cover after laughing in the face of those two or three Saputelli than in previous years had tried to propose to dedicate a street or to celebrate the memory. Instead, nothing at all, the utter indifference. I took this extreme example because I believe that, with regard to culture, the mindset of public officials in our province is not dissimilar to those of our country.
That the cultural left that office no longer has that charisma and perfect on the masses who had between 1947 and 1984, between the birth of the state Republican and the death of Enrico Berlinguer, the last symbol of a popular and palingenesis Communist is a fact now well known.
The reasons for this decline, it seems obvious, are not the subject of my intervention. The fact is that the cultural left has not succeeded to a culture of right. If the three decades after World War II the Einaudi publishing houses, and then Feltrinelli Editori Riuniti, have established themselves as the publishers of reference of intelligence in the left, this lighthouse is now also off, and the major publishers have not shifted to the right, but they just lost a political imprint.
I believe that as the political left today has no idea "modern" culture (in fact, survives in the memory of the values \u200b\u200bof resistance, now similar to those of the Renaissance), so neither has the right of the basic values \u200b\u200bof culture, having denied, for opportunism, those of fascism. Caffeine's case is emblematic of a national situation: The organization plans a schedule of events with different personalities of a sinister new and emerging released to the parties and to the right there are personalities such as to fill the squares, since the faces Sgarbi, Belpietro of Bondi or thrown back to their own supporters. And so, not to the democratic spirit, because of popular support, they steal the galaxy of names of left-value products such as Saviano and Garfunkel, with the sly hope of attracting the right to administrative investigators left.
The faculty of understanding are not right or left, but beyond the contingency of right and left. I believe that the parties - if they still have meaning and values \u200b\u200b- should make sure to use culture to infect humanity of individuals, people, mass or people as we call it. The populist culture, instrumental and functional parties, is called propaganda.
culture in towns and cities of the province, should minimally squander economic resources to put on the stage known names of national culture and entertainment, as this, and perhaps more generous compensation, we think the tivvù status and pilasters. It's called provincialism cultivate the cult of celebrity and stigmatize poor people as those who make culture on site. The government should encourage and support those that are locally oriented culture, studying the history and traditions of our country, the talents that manifest themselves in various arts, theater and music. Are paradoxical to the theater and music festivals that are in Fabrica di Roma, who are not poor, but which are passive, or that encourage the practice of "audience", especially a stranger, who comes, sits, claps and goes. The next day, a week later, months later, a year later, decades later, the cultural situation is dead on the spot as always: no money to create a local theater company, no money for studies of local history , nothing at all to support native artists. A Fabrica is born, both parents fabrichesi, some Elia Marcelli (1915-1998) filmmaker and writer, who knew no one in the province, until last summer, the most famous singer Simon Webbe, has played several stanzas of his eighth poem in rhyme "The Romans in Russia, precisely in the meetings of" Caffeine. " The administration of Fabrica di Roma was then run for cover after laughing in the face of those two or three Saputelli than in previous years had tried to propose to dedicate a street or to celebrate the memory. Instead, nothing at all, the utter indifference. I took this extreme example because I believe that, with regard to culture, the mindset of public officials in our province is not dissimilar to those of our country.
